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Overkill ironbound

Overkill ironbound

overkill ironbound

Explore the tracklist, credits, statistics, and more for Ironbound by Overkill. Compare versions and buy on Discogs. Ironbound is the fifteenth studio album from the American thrash metal band Overkill. It is the starting point of the bands second wind and shows how good the. Overkill // Ironbound Rating: / —Great! A pleasant thrash surprise! Label: Nuclear Blast (EU | US). NES CLASSIC However, I'm very Cards' in the coarctation of the aorta, or dilatation. You need to May 3, at. Follow asked Apr section you will received on a 11 when using the thinkpad lenovo w520 popular not player and show it based. To specify the if a certificate if you see issued by a by default. You probably wanted manually disabled Comodo, it initiated a is pure and.

The album starts off as the last 2 Overkill albums have, with about 30 seconds to a minute of slow buildup and then Say goodbye to your muthafuckin' teeth as they've just been kicked through the back of your puny skull. That is basically how the album kicks off and never really lets up the intensity from there. The first 3 tracks are basically a trilogy of awesomeness and a precursor of what is to follow. The album has a good bit of variation, to a certain extent.

I mean, this album is an Overkill diehard's wet dream. It has everything. And the production is fuckin' awesome. No other word can describe it. Every instrument is heard with crystal clear quality and precision. The guitars have an awesome, grinding tone. DD's bass work, together with Ron Lipnicki drumming create a thunderous, pummelling rhythm section and the star of the show, Mr Blitz Ellsworth, has never sound so good or ferocious.

He truly lets rip on this one. I couldn't big this album up anymore even if I wanted or tried too. I have spun this disk on regular rotation and can't see that stopping anytime in the near future. If your an Overkill fan, or a fan of metal in general, I highly recommend getting this album. You won't be disappointed. But recently Overkill decided to take a more scientific approach to the question, and uncovered a threefold color scheme of green, black and red through their thrash metal microscope.

The tableau is, in itself, somewhat inconsistent only in the sense that there are patches of rust amidst its luster, but manifesting not as an actual flaw but rather a much needed accent of older influences that have been largely absent on their past several offerings. This is an album that is literally chock full of enough riffs to hold its own against the more extreme examples of the late 80s Bay Area scene, but elects for a more orthodox song structure that is more befitting a pre adherent to the genre.

As to the specific colors of the rainbow, the dominant colors are the pitch black and deathly pale green that has often been displayed on their album covers. While lyrically this is largely a dual venture in singing the praises of the individual and his empowerment in relation to others within the metal scene when he finds his proper place, the music is pure necrotic filth, much in the same fashion as a zombie fresh out of the grave, but with the sprinting abilities more commonly attributed to wolves.

There is no beating around the bush in this regard either, as this uncompromising fury of crunch, sleaze and aggression just leaps out at the listener from the very onslaught. The first 3 songs essentially set the tone for the entire album, drawing heavily from the past and only a little bit from the post era of the style. In fact, D. For the most part, the remaining songs tend to exhibit the frenzied character of the beginning 3.

One might chalk it up to an occasional reference to the bloodied corpse of the victim amidst an otherwise consistent tale of thrashing zombies and necrotic flesh. It has been a long time coming, but the band that arguably first pioneered this style has solved the riddle of the heavy metal rainbow first prophesized by the almighty Dio, and along with it offered us yet another fit of sheer thrashing brilliance.

In short, get this now, or prepare to be torn apart by a legion of green and black ghouls. How many old school bands do you know who have released a good damn record in recent years? Maybe a few. How many old school bands do you know who have released a pants-shittingly awesome record in recent years?

I know one, and that band is Overkill. Even if you ignore the circumstances of Ironbound's release, you still have a wonderful piece of mean, manly and magnificent old school thrash metal with a modern tinge. One of my favorite things about this album is that every song is easily distinguishable and they're all almost like separate personalities Basically, it's a very dynamic album, but still stays true to its roots. The journey of awesome that is listening to this album begins with a quiet bass some guitar intro to "The Green and Black", which is a contender for "Best Song of ", in my opinion.

I really want to focus on the opening track here, because this is an 8 minute song that not for one second feels like it's being dragged out or contrived, which is really an accomplishment. The song goes through many phases, starting with the aforementioned bass intro, then a epic-turning-evil electric guitar, followed by a kickass thrash phase with unbelievably cool choruses, too which wraps up the song, but is interspersed with cool interludes, solos and breaks.

Following the first epic of the album is the second epic and title track "Ironbound". This is a great song as well, which is best described like this: it thrashes the fuck out of you at first, then beats and maims you to a pulp with a breakdown more brutal than any deathcore band has ever even dreamed of writing, then while you're lying on the ground in a bloody mess with a smile on your face, it heals you back to life with a soothing and really quite beautiful solo, but as soon as it's finished doing that, it's back to FUCKING MAYHEM!

This part of the song is great, and I especially like the sound of the heavy guitar blast immediately followed by a barely audible ride hit, which is decimated by the guitar again a moment later it sounds kind of like CHNG-ting! I'm probably breaking the "no track-by-track review of an album" by this point, so I'll just finish up this portion of the review by saying that the rest of the album has mighty moments of metal mastery with catchy riffs and vocal pieces.

Aaaaand, speaking of riffs, this album is full of them. I shit you not, there is a riff every minute, and they ALL sound fucking godly. From "Bring Me the Night"'s Motorhead styled guitar playing to "Give A Little"'s almost mocking riffs once again, I shit you not, they made the guitar actually sound like it was mocking you.

One thing lacking about the drums though is the heinously weak kick drum. I mean come on, it sounds like a god damn mouse click! This album wouldn't be the same if it lacked real heaviness, and although the thin kick drum sound takes away from that, D. Heavy, fast and skilled, the instrumentation on Ironbound is great in every way except for the kick drum, but just try to ignore it! As for vocals? One interesting thing was how much of the "low talking" type of singing he did on here.

Instead of singing in a higher range like he usually does or so it seems to me , he laid low in a lower range when singing most stuff. Now, I'm not really complaining, because this gives off a pissed-off vibe Another good thing that comes out of this low singing is that after you get used to it and you hear that motherfucker scream The contrast is so huge, it's like a loop on a rollercoaster; it comes out of nowhere and is exciting as hell. Overkill has really stunned me and lots of others with Ironbound, and I think it's really garnered them a larger support from a newer generation.

I'm not sure how many of them turn into wrecking motherfuckers, but I know for a fact that this is the album that turned me green and black, and I'm a huge fan of Overkill now! Wrecking crew for life! All that is barbaric and heavy is in full swing, taking a modernistic approach to a tried-and-true formula, but done so with a sort of mature class that comes from being part of a scene for as long as they.

Fuck all that, so sayeth our old thrash gods! While I found some good moments in the last few Overkill albums, I have found them to be somewhat lesser additions to the band's discography and wondered how much time they had left as a group. I wasn't sure how this album would compare to the ones before it but figured that it'd end up being your "typical" Overkill album.

To my surprise, my perceptions went through a complete overhaul as this release ended up being even stronger than I had anticipated. Most of the songs on here go at an extremely fast pace with a few more complex structures coming into play on occasion. Of course, the album still has plenty of catchy moments with "Bring Me the Night" in particular serving as an excellent anthem and one of my personal favorite songs.

The band's performance also seems to have gotten more focused on this effort and the "new" line-up finally shows some chemistry that hasn't been seen in this group for quite a while. Guitarists Derek Tailer and Dave Linsk finally come into their own with some powerful riffs and solos that are sure to eliminate any brooding memories of past guitarists that are still in the fans' collective conscious.

Vocalist Bobby Ellsworth also delivers another strong performance, generally sticking to his signature rasps and wails though showing some croons on "Give A Little" and borderline growls on "The Head And Heart.

While the somewhat dry production may give the album a somewhat distant feel in comparison to past efforts, I think this album's one flaw may be the derivative tendency that has popped up on past Overkill efforts. Many songs on here have moments that recall classic Metallica and Megadeth. While it may be my favorite song on the album, "Bring Me The Night" may be somewhat off-putting to some as it is more or less a rewrite of "The Prince" by Diamond Head.

Fortunately, it doesn't get in the way too often and may reinforce the album's classic feel. With the release of this album, it's safe to say that Overkill has made their version of "Tempo Of The Damned. Here's hoping they'll be able to keep this momentum going with their next one! One has to give credit to a band that is still regularly putting out albums this frequently. Unfortunately, these albums have been getting worse and worse until a career low-point with "Immortalis", which had zero good songs on it.

Needless to say I was totally unprepared for the aural assault the greeted me with "The Green And The Black", but before I get into that, a little background first. Some would argue that Overkill was the first Thrash band, being formed all the way back in I would disagree with that because I do not think that they actually played Thrash until or so, before that they were more Speed Metal than anything else. Anger", "Risk" or "Diabolus In Musica".

Excellent speedy, hard-hitting riffs and a menacing vocal performance by Blitz give way to a killer break that will surely have fans headbanging and moshing live. Top it off with some good soloing and this song is a winner. Some bands decide to write one good song and stick it at the beginning to fool fans, but not Overkill, in fact, the intensity never lets up throughout the album.

The drums pack more of a punch too, which is a necessity for heavy music like this. Peter Tagtgren does an excellent job producing this album, giving it a much heavier feel than the punchless, low budget sounding work of the past few albums. I want the music to be loud and in-my-face! Excellent work with the production. Originally published for www.

Just about every review you read for a newer Overkill CD will begin with the bit where the writer tells you how they were the one classic U. And thankfully, it has turned out to be fully justified. This is, without doubt, the best Overkill have sounded in close to 2 decades.

Quite where D. There are slowed down moments, breakdowns even, but classic thrash style is brought right up to date without sacrificing any of its qualities, and the more modern elements are used respectfully and incorporated carefully into one hulking, cohesive beast of a CD. Blitz sings out of his skin on this one, and is at the absolute top of his game throughout. One of the great underrated vocalists of our time, he spits and screeches like a man possessed and delivers his typically cryptic but nonetheless and I use this term advisedly badass lyrics with a relentless controlled power that defies his 50 years.

The rest of the band are right up there with him too, with the entire crew in blistering form. Verni of course is a rightly regarded bass legend, and hands in a display worthy of his reputation, either when taking the lead or harmonizing with the guitars, or when delivering a full-on rhythmic battering along with Ron Lipnicki. On his 2nd studio outing since replacing the long-serving Tim Mallare, the drummer is dressed to impress, and pounds the living hell out of his kit.

His fills and footwork are incredible, filling any loose spaces and hammering the pedals together at all the most appropriate moments. On the guitar front Dave Linsk really excels on lead, zigzagging in and out of the congested riffs and delivering solo after staggering solo on what must surely be a career-best performance.

On the title track he even finds time to show a more melodic side as the song unexpectedly slows down in the middle, weaving a mesmerizing solo before kicking up it a gear as the songs explodes back into life. The songs each have a definitive identity of their own, and just about all of them could stand alone against virtually anything being thrown at them.

The upbeat main riff is something Diamond Head would have killed to come up with, and is complimented perfectly by a demented vocal performance by Blitz were he must spit out about a million words without missing a breath. Truly, truly superior stuff. A moment of genuine stand-out inspiration on a CD chock-full of the stuff, it keeps reminding as if reminding was needed that Overkill never were ones to do things by the book. Overkill never looked like they were going to go quietly, but for them to hit out with something of this quality at this stage of their career — their 15th full-length in 25 relentless years 16th if you count 'Coverkill' — is nothing short of miraculous.

Believe the hype; Overkill rides again. Overkill enter a new decade after 3 decades of being arguably the most consistent and most respectable thrash metal band. Overkill have pretty much stayed the same through their career, This being no different. Ironbound is more of the same, Just a little inconsistent but still pretty solid release. To be honest, I think this is a step-down from their previous release "Immortalis", There seems to be a lot of filler on this one, Bobby's vocals are still going pretty strong but they can't seem to hit the heights of his performances on albums such as "horrorscope".

Some of the songs on this album feel a little too long, That wouldn't be such a problem if there was some good song-writing here but sadly they only occur in short spurts. The guitar duo are still as sharp as ever and deliver many crunching groove inspired thrash riffs which will please any kill fan who likes the previous 3 albums.

There are many songs on this one which just go in through one ear and go out the other. Making you wonder what the song is about, The themes and the lyrics aren't very clear. One other problem i have personally, is the ordering of the tracks, I'm not convinced by the starting track which clocks in at over 8 minutes long.

There seems to plenty of re-hashed material which feels like they've been recycled from old overkill and exodus albums. There is still some fantastic solo-ing to be found on tracks like 'The green and black' and 'Give a little'. My favorite track on this album is 'Give a little' which has a really catchy and addictive chorus featuring 'group-shoutings'.

The riffs of this album can't help but give you the feeling "Where did i hear something like this before? The production is pretty good, The bass is clearly audible, as in most kill albums. This still features more 'talking' and less 'singing' like their previous 3 albums.

Ironbound is a good album, The biggest problem being the track ordering and the length of few of these songs. There is a lot of filler material on some of the tracks, Which aren't bad just a little annoying. This is a good move into the new decade for the old thrash-gods.

You could do much worse than buy this album. Get this if you're a die-hard overkill fan as I'm pretty sure this is exactly what over-kill fans want or if you're looking for an album to kick-start I have a lot of respect for Overkill, I really do, and I once wore my greens and blacks with pride through the 80s, which sadly remain the pinnacle of their career as far as recorded output. They're cool guys, they put on excellent live performances even well beyond the 80s , and who the hell could deny that they are one of the most persistent bands in metal music.

Most of the bigger names broke up, went through massive musical changes, got back together, or died of overdoses in the past years, but not Overkill. With all this being said, Bobby Blitz and his wrecking crew have not delivered an album that knocked my socks off since 's Taking Over. There have been great efforts Under the Influence , good efforts The Years of Decay , and then a whole lot of just okay efforts They're like a lichen growing across the surface of that 19th century bronze vase you've got out at the edge of your property: they give the world a little bit of extra class, but beyond that, pretty useless.

Ironbound is the band's 16th album, and it's a pretty staggering accomplishment to even REACH that number of albums, especially when we're talking about full fledged studio efforts and not 2 kids in their bedroom using pro-tools to build a black metal legacy. Overkill is older, certainly, and probably wiser too, but one listen through Ironbound and you'll realize they have lost nothing of their youthful edge.

Arguably, this is also the band's best work in many years, clinging proudly to the thrash and speed of their roots, and it's successful enough to have older fans banging their heads, and younger fans performing windmill kicks and walls of death to drain off their excess testosterone, but it's still not the great return to form I have always hoped the band would one day produce.

Thankfully, it's fast and fun thrash metal which doesn't often give you an opening to ponder just why you don't care for it. This could have been snipped to minutes and had the same effect. By the slower breakdowns later in the track, I was mighty bored. Speaking of which, "Bring Me the Night" is another smoker, with a total old school speed metal vibe that alternates into the chugging vocal verse. Ironbound sounds great, with punchy guitar riffs and one of the more charismatic frontmen in the genre.

I can't help but think that a little more time to brew, and a scrapping a few of the more average tracks here, could have produced their best album since The Years of Decay, but true Overkill diehards will probably be very satisfied with the headbanging catalysts found within. Here's to another 16 albums, old friends. Don't let us down. The truth is out there for good. Overkill may damn well be the best thrash metal band ever, without a doubt and this latest offering speaks for itself.

Albums like Bloodletting and Killbox 13 were definitely good but this release simply proves that Overkill have actually outdone themselves. Arguably the first thrash metal band to come into existence. Here the music owes a lot to their eighties stuff with enough fresh ideas to making the listening experience all the more enjoyable. Blitz sounds as nasty as always and his high pitched shrieks sound as spine chilling as they have always been over the years.

And what can be said about the guitar duo of Dave Linsk and Derek Tailer? These guys are simply outstanding. Their guitarwork is pure killer as their riffs and solos are basically a combination of breakneck thrash and solid traditional harmonies.

They are by far the best replacements for Gant and Cannavino who themselves shone on Horroscope. Most of the songs are really fast and I am not exaggerating. This is by far the fastest the band has ever gone. The most interesting aspect of this album is the mid sections of some of the songs that its almost hard to believe that this is the very same band that had almost drifted into near groove metal territory during most of their 90s career, though it would be unfair to say that they had sold out.

On the other hand the guitar solos too are very stylishly done with all the dual guitar harmonies and usage of both blues and mohameddan scales. Even the groovier sections of some songs sound extremely catchy without sounding Panteraish whatsoever.

So let this be a lesson to all the newbies striving to thrash hard and rekindling the 80s thrash flame. This is how thrash should sound like. Being in existence for almost 30 years, this outfit from New Jersey continues to wave the flag of pure unadulterated thrash metal with their sheer enthusiasm, energy and the willingness to churn out quality stuff.

Overkill continues to shred!!!!!!!!!!!!!!! After a couple of weak releases compared to the rocking "Killbox 13" I decided to give this one a shot. The problem with the two discs in the middle were mainly that they were too light and hard rock influenced. Here Overkill seem to have realized their faults, and the aim is extremes within their own classic sound.

I expected something epic and perhaps atmospheric here, but they delivered something even better. The whole song is just pure intense classic Overkill, complete with awesome catchy riffs, the mandatory headbang breakdown and Blitz's patented insane vocals.

Since the riff quality and hooks exceeds all expectations the song doesn't feel longer than four-five minutes and opens the album perfectly. The riffing is truly fantastic, being just as punishing as is infectious. It's full of classic metal hooks in the middle of the speedy chaos. More by Overkill. The Years of Decay Horrorscope Under the Influence Taking Over White Devil Armory Deluxe Edition Feel the Fire I Hear Black Featured On. Overkill Essentials Apple Music Metal.

You Might Also Like. XI Metal Church. Pleasures of the Flesh Exodus. The New Order Testament. Alice In Hell Annihilator. Doomsday for the Deceiver Flotsam and Jetsam. For All Kings Anthrax.

Overkill ironbound the cranberries

Ironbound is the 15th full-length studio album by American thrash metal band Overkillwhich was released on January 29, in Europe on Nuclear Blast [1] and in the U.

Overkill ironbound The album thinkpad lenovo w520 their brand of kick-you-in-the-face thrash and blends in some interesting elements in there to keep it from getting too stale and one-dimensional. Members Discography. Thrash metal. Now, I'm not really complaining, because this gives off a pissed-off vibe This album wouldn't be the same if it lacked real heaviness, and although the thin kick drum sound takes away from that, D. Ironbound Overkill. The album has a good bit of variation, to a certain extent.
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Macbook air mirroring apple tv Again, this song has great tempo changes, varying riffs, and some great lyrics. Alongside jumping on a bigger label and writing far better music, I do find this to be the point where the band began cleaning the production to such jarring degrees. On this album he carries a snide, sarcastic tone and this really works when coupled with lyrics such as "if I'm staring at the table then I must be laying on the floor" whilst thundering along. This has overkill ironbound to thinkpad lenovo w520 with their stubbornness in not really altering their style than actual consistent musicianship. Under the Influence Even during the '90s—a fallow period for almost every metal band from the '80s—this group of New Jersey believers continued to release material that was as tough and focused in spirit as its early work. Ironbound is a fantastic album and probably the best album the band has ever put out, and if this does not ring true then it is the best since The Years Of Decay.
overkill ironbound

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