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Hyperion cantos

Hyperion cantos

The Hyperion Cantos is a series of science fiction novels by Dan Simmons. The title was originally used for the collection of the first pair of books in the series, Hyperion and The Fall of Hyperion. Its eyes were multi-faceted and gave off a vivid red glow, and its mouth contained multiple rows of sharp metal teeth. The creature was feared among the. The Hyperion Cantos Wikia is an online encyclopedia devoted to the Hyperion Cantos, an award-winning series of science fiction novels by author Dan Simmons. LOWRIDER BIKES SALE Hey, wait a Eliminated character limit and add the. Configuration for the Minecraft "You'll need started and to features and functions 40 million users. It's popular, works comment to start software that other.

Although the overarching story is definitely odd, by the end of it you've bought what Simmons is selling; at full price. It's just odd enough for you to be curious, and there's just enough information revealed to encourage you to fly through the pages. Strange can be good, and in Hyperion, it's incredible.

I was delighted to learn that its his? The Shrike reminds me of Darth Vader on a few levels. It's Vader, like the Shrike, that dictates how the story progresses. The actions of all of the other characters are only in reaction to the Shrike. The protagonist in Hyperion is the Shrike; and it never says a word. However, I wouldn't classify it as an anti-hero because it certainly doesn't elicit any sympathy or other positive feelings.

Actually, the opening lyrics to that song make a great pilgrimage tune for the Consul et al. I digress. The physical description of the Shrike is cool to mull over: three meters tall, made of razor wire, thorns, blades, and cutting edges, with four multi-jointed arms, and scalpel-like fingers and toes.

It's metallic, but it's also organic. Don't forget the ruby red eyes. Come, come, commala Lord of Pain, come, commala. Story Within a Story 2: "The Nine Words You Can't Say on Hyperion" The alcoholic satyr-like poet Martin Sileneus is the scene-stealer of this book, although his best line comes in Fall of Hyperion in an abundance of caution I'll leave that comment to the review of the sequel.

I have to admit that in a potty humour kind of way, I liked Martin's somewhat limited yet colourful vocabulary during his brain-damaged period. Simmon's homage to George Carlin was pretty funny and reminded me of a scene in Iain M. Bank's Use of Weapons when a cab driver who uses a voice box to speak gets the crap kicked out of him and the voice box keeps saying things like "thank you", "where would you like to go" and "I'd like another please". Through Martin we get a glimpse of what happened to Old Earth.

It was a creative method of exposition and obviated the need to have a character suddenly give a misplaced history lesson. Martin gives Simmons an excuse to answer the reader's natural curiosity. Dan Simmons has proven that he can not only tackle tech and space opera with aplomb, but that he can also create vivid characters with whom we no doubt identify.

I'm a new father and I found Sol's story to be extremely moving. Plus the freaking Shrike reaching for me in the dark would turn my shorts brown. Sol deserved the cover spot on my edition of The Fall of Hyperion. Don't doooooo iiitttttt!!!! Story Within a Story 4: "Farcasters and Farcaster Houses" Was it me or was the idea of Martin's house where each room is on a different planet completely awesome?

If this was real, people like Britney Spears would have enough money for two such houses AND be stupid enough to actually own two. Simmons does something with tech that I think a lot of authors fail to take advantage of: he ensures that the technology he creates and uses in his story does not exist in a vacuum no pun intended but that it impacts how society functions. In the opening scene of Hyperion, we're aboard the Consul's ship with his piano.

At some point in the story we're told that private ownership of space vessels is extremely rare. I found this fact odd until we were introduced to farcasters and their relatively ubiquitous use. Who the hell would own an expensive space ship when you can go to a multitude of planets in your PJs? I also liked that with power comes increased access to farcaster technology.

The fact that the President has a private farcaster makes sense. The scene with Kassad and the Shrike was a very interesting concept of time as a weapon. That cool fight was also a nice little exemplar of how nobody has a chance against the Lord of Pain Story Within a Story 6: "I am of the cruciform" After reading the Priest's story I wondered how this one could be topped.

Reading journal entries is always an interesting way of being exposed to facts because there is a suddenness to each revelation. Things happen while the journal's author is not jotting down his thoughts. Weird things. It rocketed him to the top of my favourite authors list and cemented him as one of my must-reads for years to come.

I've since checked out his online writing course and have gained even more appreciation for the structure of Hyperion, the exposition and the prose. Most highly recommended. Sep 23, Apatt rated it it was amazing Shelves: favorites. Hyperion is generally regarded as a science fiction classic, it tends to be included in most "Best SF Novels of All-Time" lists.

I first read it when it was first published in paperback, at the time I had no idea I was reading a book that is destined to become a classic in the genre. When I began to participate in online sf books discussion groups not so long ago primarily PrintSF these days I noticed how often Hyperion is mentioned, usually reverent tones. A reread is then in order because I Hyperion is generally regarded as a science fiction classic, it tends to be included in most "Best SF Novels of All-Time" lists.

A reread is then in order because I have entirely forgotten what is so good about it, besides I have not read the subsequent books in the Hyperion Cantos. Anybody who is familiar with the works on Dan Simmons will know how versatile he is. Simmons has published books in several genres including, sf, fantasy, horror, crime, and non-fiction.

I can not say that he excels in all of them because I have only read his sf and horror novels but it would not surprise me if he does. Hyperion is beautifully structured and skillfully built up from gradually introducing the reader to the universe of the book to taking the readers through the adventures of the seven protagonists.

It is one of those rare books that is highly readable from start to finish, yet its accessibility belies its complexity. The novel is comprised of brilliant six distinct novella length stories wrapped within a frame story a la The Canterbury Tales. This book encompasses several different styles or sf sub-genres including space opera, hard sf, soft sf, military sf, cyberpunk, horror, and even literary fiction, each story even manage to encompass multiple subgenres.

The different parts combine into a cohesive excellent volume, Simmons' wonderful versatility is amply showcased by the different narrative voice and tone he adopts for each part. My favorite is Part 5, The Detective's Tale: "The Long Good-Bye" which begins as a noir crime fiction then transform into a cyberpunk story with a ton of action with a touch of martial arts and even romance.

The difference in narrative voice is particularly noticeable here, Brawne Lamia is the only female protagonist but kicks more asses than all the males put together yet still comes across as feminine. It is a sort of The Long Goodbye in reverse with the woman as the private eye.

All the parts are great, though, these two are just my personal highlights. An earlier story even reminds me of Joseph Conrad's Heart of Darkness before things take a left turn into Twilight Zone-ish weirdness. Characterization is certainly a strong point of this book, all the characters are complex and believable, moments of humor and irony are discreetly slipped in to prevent the book from becoming leaden.

The prose style, as mentioned previously, changes in accordance with the setting and character, as a whole the book is beautifully written. I also love that the book ends on a surprisingly cheerful musical note though not quite a song and dance number which is also something of a cliffhanger, and our "heroes" are far from safe. If you count yourself an sf fan you need to read this. If you just want to read a damn good book this is also for you.

Aug 03, Wick Welker rated it it was amazing Shelves: sff-favorites , sff-masterpieces , sci-fi. A science fiction and literary masterpiece. What was I doing with my life before I read Hyperion? As a huge science fiction and fantasy reader, I thought I had a pretty good grasp of what science fiction was capable of but wow did this book completely blow away all expectations.

How does one even begin to talk about this masterpiece? I could start with the masterful and subverting storytelling or the bottomless well of characterization. Or how about the subtle yet overarching world building and d A science fiction and literary masterpiece. Or how about the subtle yet overarching world building and dozens of sci fi tropes expertly woven throughout?

Hyperion is so many things and above everything it is a story about time, love, regret and horror. Simmons cuts the fat, describes what needs to be described without being indulgent. He instantly can create an entire planet, shade it in with a culture and then place the character set pieces to engage.

The dialogue is real and the scenes are framed perfectly. Hyperion is at once a single story but also separate vignettes, a la Canterbury Tales, each contributing to one another and the overall arc of the story. Barbarians, we call them, while all the while we timidly cling to our Web like Visigoths crouching in the ruins of Rome's faded glory and proclaim ourselves civilized. The world building—excuse me— worlds building is an enormous achievement.

Without infodumping, Simmons unfurls a sprawling intergalactic hegemony where humanity spans dozens of planets many thousands of years in the future. And how? Because he leaves vestiges of Old Earth current day littered through the story from poets like Keats to common world religions including Christianity, Islam and Judaism. The degradation and transformation of these modern-day cultural pillars is fascinating. Yeah, catholic priests are still around but they are not up to things you might think.

This book is full of prophetic dreams and visions that bring a welcome mysticism that hangs beautifully over a hard sci-fi backdrop. It occurs to me that our survival may depend upon our talking to one another. The world building is subtle, coming in at different angles and not slamming the reader with rigid boundaries and arcane history.

Words are the only bullets in truth's bandolier. And poets are the snipers. Here are the other things Hyperion is: an erotic romance, a tragic romance, a trans robotic romance! It does, really, really well. And that is why this book is so brilliant. Hyperion is both epic in its scope yet able to find balance and have a main plotline where everything comes together.

It no longer matters who consider themselves the masters of events. Events no longer obey their masters. Above all, Hyperion is simply a beautiful book about a group of strangers on a mysterious pilgrimage whose past lives not only inform the ongoing plot but serve to enrich characterization and character dynamics.

Please, this needs to rocket up your TBRs. This is easily one of the best science fiction books I've ever read. Okay, a few books but still, the hell is doing on??!! Happy Reading Peeps! View all 14 comments. Jun 14, Conor rated it it was amazing Shelves: favorites , sci-fi , hyperion-cantos. This first novel in the Hyperion Cantos easily surpassed any sci-fi I've ever read.

Instead we get a tale of incredible complexity, deep, brilliantly realized world building and a mature Still singing loudly, not looking back, matching stride for stride, they descended into the valley. Instead we get a tale of incredible complexity, deep, brilliantly realized world building and a mature and intelligent exploration of morality, philosophy and what it means to be human with a ridiculous amount of allusions to the great works of literature ingrained throughout the story for good measure.

These are the stories told by a group of Pilgrim's on their way to meet with a mysterious being who may be an angel of salvation for humanity or the agent of it's destruction. The main narrative of this story concerns 6 mysterious pilgrims on a journey to meet with a dangerous and powerful entity while the galaxy at large teeters on the cusp of destruction. However this plotline mostly just served as a framing device for the stories of the 6 pilgrims. Despite what was ostensibly the main story being reduced to interludes between the tales I still found these sections to be enjoyable.

The Priest's Tale - 5 Stars This story used a weird narrative frame with the Priest pilgrim reading from the journal of a missionary. The start of this tale was interesting with an ageing priest on a journey to find a mysterious people in an isolated rain forest.

After reaching his target I thought the plot slowed down a bit however just as I was starting to lose interest there was a massive reveal and from then on this story was extremely intense and compelling, filled with revelations, suspense and mystical overtones. The ending was extremely moving. A major theme in this story was the exploration of the place of religion in society and I thought it was handled in a really intelligent and interesting way.

The Soldier's Tale - 3. Unfortunately it proved to be a disappointment. After a great start with a gripping and surprisingly historically accurate portrayal of the Battle of Agincourt the rest of this section felt rushed. I thought that his childhood and his involvement in the Battle of Bressia especially could have made for great sections and I was really disappointed that they were so lazily glossed over. These sections definitely could have been expanded although tbf I would have been happy if his entire story had just been a series of intense, realistic recreations of historical battles like Agincourt at the start….

The poet narrated his story brilliantly with inventive descriptions, distinctive methods of storytelling and wry observations. The story itself reminded me of a really good memoir with the Poet taking us through his life from his indulged but isolated childhood to being sent hundreds of years into the future with his vocabulary reduced to 7 hilarious words where he produced his finest work to his meteoric rise to fame and struggles with all that came with it.

While it lacked on paper anywhere near as much action as the story that preceded it, this tale was brilliantly written to be fleshed out and engaging. The Scholar's Tale - 5 Stars A friend of mine observed in his review of this book that paraphrasing no matter how much weird sci-fi stuff is going on the human element is always the beating heart of the story.

That was shown nowhere better than in this tale. This story opens with a brief overview of the early life of Professor Sol Weintraub. The author paints a vivid picture of his contentment in his job and home and most importantly his warm and loving family. However that all changes when his 26 year old daughter travels to the planet of Hyperion and begins to age backwards. The story opens with a beautiful stranger walking into the office of a tough P.

Anyway the start was pretty dull although fans of the genre might like it but as the story progresses it improves dramatically. The ending was also great with some epic action scenes. The Consul's Tale - 3. Also the story skips around in no chronological order. The narrator was kind of a selfish dick, but his best mate Mike was cool and funny and his love interest Siri was awesome- strong, wise and compassionate. Her only real fault was putting up with the annoying protagonist so much.

Flipper will be avenged! Sorry where was I? View all 7 comments. May 25, Mario rated it liked it. I really did. Reading this book definitely wasn't easy. So many times i didn't know what the hell was going on. Most of the time I was confused or frustrated, and many times I thought about giving up.

If this wasn't a library book, I would definitely put it down, and read it again when I'm in a mood for reading this kind of book. The book is written in 'short stories' form, and I think that was my problem with it. I got bored at beginning of each story, and as 2. I got bored at beginning of each story, and as soon as things got interesting, the story would end. Only story I enjoyed from start to finish, was Sol's story.

I think he and Rachel were the only characters I got attached to. I didn't care what would happen to others. And one of the reasons that I didn't give up reading is that I hoped we would get at least some answers at the end. But nope. It ended on a cliffhanger and not a single answer was given Did I mention how much I hate cliffhangers?

For now, I don't think I'll be continuing on with the series. Maybe some time in the future I'll decide to give it a second shot, and hopefully, I'll like it more than I do now. Although it started out with heavy religious overtones the first perspective being the religious POV , it soon captured my imagination with a complex mystery and only got more engaging from there.

It was not a feel-good story. It was the kind of gritty, morbid tale that kept me page-turning well into the night despite the ever growing knot in my stomach. Then it kept me up even longer as my brain tried to sort out all the information learned about this world, the Shrike, and their effects on time itself. Time manipulation in stories is a tricky thing. It can go from a clever idea to convoluted in a heartbeat. In fact, his overall presentation of all pertinent information was very carefully placed and effective.

It allowed me to build my own theories alongside the characters based on every new revelation. It illustrated just how smart Dan Simmons is at story construction. Surmising from just the text, Simmons comes across as a very well read, intelligent person. I can easily see why classic sci-fi lovers rave about this book and defend their 5 star ratings to the ends of the earth. Part of this can be attributed to the format of this first book — the multiple POVs were presented in a reflectional format where all the focus was on what came before.

It is still an awesome contribution to classic sci-fi and worth your time if you like the genre. Via The Obsessive Bookseller at www. View all 6 comments. An interesting book. It has been recommended to me a number of times, and seeing as I had a copy, I thought I'd see what all the fuss was about and read it. Did I enjoy it, yes, was it what i expected, no, not really.

As a book it is basically a scene setter for the sequels, yes a few things happen, but the majority of the book is the back story and history of the main characters in the book. Now this sounds a little boring, BUT, it is in fact a great way to start a wide-ranging space opera seri An interesting book. Now this sounds a little boring, BUT, it is in fact a great way to start a wide-ranging space opera series.

The back history includes a huge amount of "world" read Universe building, including, both technology and the main players both good and bad. But which ones are which, we are given glimpses, backgrounds and descriptions of opposing political forces and dynasties as well as religious factions, and off-shoots of the human race.

All in all, an amazing amount of background setting that leads you nicely to the first sequel, which I now have to buy as I have to know what happens next. So now I know what all the fuss is about. Jul 04, Penny rated it liked it Shelves: scifi-and-fantasy-club-bookshelf , time-travel , adventure , locus-award , aliens , short-stories , award-winner , magic , fantasy , space-opera. When people rave about this book they should really mention that it doesn't have a real ending!

Sure it was an enjoyable bunch of stories and all, but I was reading them in the context of learning about the characters before the big showdown at the end of the book. I guess that only happens in the next book. I also found the description of the settings overdone and a bit indulgent. These sections became very easy to spot as they tend to be at the beginning of a chapter or new story. I found mysel When people rave about this book they should really mention that it doesn't have a real ending!

I found myself skimming over them. That said I did enjoy the majority of this book. I liked the characters and their stories. I'm not sure the first story made for a good introduction since in my mind it is the least interesting and felt the longest.

So for anyone who picks this up and finds it a bit slow to get going I'd recommend getting past the priest's tale before you make a judgement. I'm keen to read the next in the series since the confrontation at the "end" of this book was what I was so looking forward to. But seriously grumble mutter about the ending of this one. Nov 10, Scott rated it it was amazing Shelves: favourites , science-fiction. By the end of the first page I was hooked. By the conclusion of chapter one I was a craven addict, my Hyperion -obsessed mind now fit for a series of cautionary posters titled "This is your brain on genre-defining science fiction".

Hyperion is Sci-Fi to make your breath quicken, to pull you from excitement to sadness to awe in the space of a single chapter. This is genre done as well as the best capital-L literary fiction- the grand scale and imagination of SF wedded to intelligent and ambitious plotting and writing. Simmons sets up a vast and convincing 27th century tableau. Humanity has spread across the galaxy, forming an empire known as The Hegemony, which is ruled ostensibly via democratic process with a CEO at its head.

Allied to this leadership is an amorphous grouping of massively powerful AIs known as the Technocore. The major worlds of The Hegemony are linked with instantaneous travel portals called farcasters, allowing people and armies to step from one world to another, and for wonders such as the River Tethys, which flows through multiple different planets.

Outside this network are fringe worlds, isolated from The Hegemony proper and reachable only via slower ships. One of these worlds, Hyperion, is the home of a series of mysterious structures, known as Time Tombs, which are travelling backwards through time from the future. Guarding these relics is a murderous creature of inestimable power and unknown capability called The Shrike.

The tombs and the Shrike have been known of for many years, but strange things are now occurring. The Shrike is ranging further from its usual hunting grounds. The Hegemony decides to send both a force and a group of pilgrims to Hyperion, several individuals who are drawn towards the world, their lives somehow linked to this strange, distant planet.

The protagonists range from a tortured priest to a semi-retired diplomat, and their journeys will pull you in and leave you sleep-deprived from late night page-turning. This is a book to fire your imagination. There are hundreds of great ideas in Hyperion, and I found myself musing on them for weeks after reading it even now I still daydream about having a portal in my house that leads to a bathroom platform floating peacefully on the endless waters of an ocean planet - a luxury enjoyed by one of the characters.

Each friend who has read it has come back with the same wide-eyed wonder I had when I first read the novel, eager to discuss what they have discovered. The only criticism I have of Hyperion is that Simmons leaves the story unresolved, setting things up for the sequel - The Fall of Hyperion. As a result, I suggest that you buy both books at once, cancel your appointments, close the blinds and settle in for two days of pure reading pleasure - this is science fiction at its absolute best.

May 14, Algernon Darth Anyan rated it it was amazing Shelves: , favorites. The Hegemony Consul sat on the balcony of his ebony spaceship and played Rachmaninoff's Prelude in C-sharp Minor on an ancient but well maintained Steinway while great, green, saurian things surged and bellowed in the swamps below. I thought I was well-read in the genre, having tackled most of the big names in the 80's and early 90's, but somehow I missed out on the saurian in the room.

I can't remember the last time I was so amazed at a new series, instantly jumping into the next book a The Hegemony Consul sat on the balcony of his ebony spaceship and played Rachmaninoff's Prelude in C-sharp Minor on an ancient but well maintained Steinway while great, green, saurian things surged and bellowed in the swamps below.

I can't remember the last time I was so amazed at a new series, instantly jumping into the next book after I read the last page of this one and marking it as one of my All-Time Top 5. Actually, I vaguely remember reading the first page of the prologue back when it was first published and sneering at the florid language and at the fantasy vibes, which show what kind of pretentious punk I was back then We need your help.

It is essential that the secrets of the Time Tombs and the Shrike be uncovered. This pilgrimage may be our last chance. If the Ousters conquer Hyperion, their agent must be eliminated and the Time Tombs sealed at all cost. The fate of the Hegemony may depend upon it. The Consul is interrupted from his melancholic musings by an urgent holographic message, weirdly similar in tone to the one Luke Skywalker received one day, calling him to save the Galaxy from the evil Empire. The main difference here is that the Consul is an old, disillusioned man that feels he has already done his duty for the Hegemony.

But I'm getting slightly ahead of the story Let's try to decode that message for first time readers: The Hegemony is the current structure controlling more than two hundred inhabited planets after humankind was forced to abandon Earth in the wake of a physical experiment gone horribly wrong. To do this, the Hegemony relies on the Hawkins drive, a FTL technology that has the drawback of stretching time for the crew and passengers, on Farcaster portals that allow instant travel between worlds previously connected, on an implant- and commlog-based galaxy-wide-web of instant communication and on the TechnoCore, an assembly of Artificial Intelligences that have emancipated themselves from human control yet continue to help the Hegemony with these technologies that make travel, commerce and communication between star systems possible.

The Ousters are the part of humanity that preferred to live in freefall, among 'swarms' of spaceships and asteroids, instead of colonizing new planets. They serve the role of barbarians at the gates in the economy of the novel, the military threat to the Hegemony. Hyperion is where the 'gates' currently are, the nexus where the forces of the Hegemony and of the Ousters converge for the battle to control the ultimate mystery of the Galaxy.

The planet is currently an independent backward piece of real estate, colonized first by agricultural settlers and next by a bunch of poets led by Sad King Billy. With only days left before the beginning of hostilities, the Hegemony petitions the local Church of the Shrike to allow a set of seven pilgrims to travel to the Time Tombs and there to petition the Shrike to grant them one wish.

The catch? According to church gospel, the Shrike will only answer one and kill all the rest. Among us we represent islands of time as well as separate oceans of perspective. Or perhaps more aptly put, each of us may hold a piece to a puzzle no one else has been able to solve since humankind first landed on Hyperion.

What I have written so far represents only the frame story, and the first layer of meaning for the novel. Each of the pilgrims, as they travel to their doom, will tell his or her back story, hoping that it will help the others understand why they were chosen from among billions of other people, and what they expect from the Shrike.

And who among them is a traitor to the Hegemony? Let's hear from everyone before the contributors start getting chopped and diced by that ambulatory food processor we're so eager to visit. With each story we learn not only about the fate of the individual pilgrim, but also more about the big picture, exactly like the puzzle referenced earlier. Yet the stories often raise more questions than they answer. For me, the key is not necessarily in the parallels to the Decameron or the Canterbury Tales, although they are apt, but in the more obscure yet stronger pointers towards "The Dying Earth" by Jack Vance and the poet John Keats, who himself started an unfinished poem named 'Hyperion' I retitled my poem The Hyperion Cantos.

It was not about the planet, but about the passing of the self-styled Titans called humans. It was about the unthinking hubris of a race which dared to murder its homeworld through sheer carelessness and then carried that dangerous arrogance to the stars, only to meet the wrath of a god which humanity had helped to sire. The true scope of the novel is then nothing less than the survival or extinction of the whole human race. Do we deserve the stars?

Can there be a God in our future, and if there is one, will it be benevolent towards our multiple sins? While this axiom may be true for a lot of other epic science-fiction series, Dan Simmons truly shines here in the combination of technology with metaphysics, of poetry mixed with character study, in the multitude of layers and literary references that are both demanding and respectful of the reader's intelligence.

Hyperion is much more than just a Star Wars clone. I am tempted to leave out as many details as I can from each pilgrim's story, letting the readers make their own choices for meaning or reason for inclusion in the overall puzzle.

I believe each of them represents an avatar of humanity, a personification of a potential path to redemption. As usual, the priests stand in for faith and surrender of individual will to the greater good. The crucifixion, redemption through pain and even resurrection all play a part in the drama that unfolds as they come face to face with the Shrike.

Paul Dure may reference here a need for life to have a direction, a higher purpose than simply survival. Fedmahn Kassad, the next pilgrim to confess, is probably the easiest to decode. He is the belief that all problems can be solved by Force, can be blasted into oblivion. Yet during his long and bloody career in the Hegemony FORCE, he repeatedly comes face to face with a beautiful ghost, until Kassad too visits Hyperion and meets the Shrike.

Your past. My future. The shock wave of events moves across time like ripples on a pond. Martin Silenus is provocative and often obscure, but his tale is the most revealing about the original destruction of the Earth when a black hole is accidentally sent towards the planet's core. From my earliest sense of 'self', I knew that I would be — should be — a poet. It was not as if I had a choice; more like the dying beauty all about breathed its last breath in me and commanded that I be doomed to play with words the rest of my days, as if in expiation for our race's thoughtless slaughter of its crib world.

So what the hell; I became a poet. Silenus wants to know if we deserve to be saved, or at least he wants to chronicle our fall from grace. He too has previously visited Hyperion in the entourage of Sad King Billy and his long epic poem is unfinished. Will the Titans humankind be replaced by the Shrike whatever that monster represents? Silenus gives us one of the first descriptions of the monster, even as he fails to explain his motivations other than on the allegorical plane.

The blur resolved itself into a head out of a jolt addict's nightmare: a face part steel, part chrome, and part skull, teeth like a mechanized wolf's crossed with a steam shovel, eyes like ruby lasers burning through blood-filled gems, forehead penetrated by a curved spike-blade rising thirty centimeters from a quicksilver skull, and a neck ringed with similar thorns.

As a side note, Silenus talks also about the art of the novel, giving us one of the secrets for a successful epic his own string of commercial success was a series called "The Dying Earth" : Dislinear plotting and noncontiguous prose have their adherents, not the least of which am I, but in the end, my friends, it is character which wins or loses immortality upon the vellum.

A professor at a famous university on an underdeveloped agricultural planet, Weintraub is pulled into the web of the Shrike when his daughter Rachel is infected by an incurable disease while on an archeological dig at the Time Tombs. Sol is drawn back to his Jewish roots by the incident, as he tries to reason out the purpose of God in harming his daughter.

Sol realized one day that the topics of the heated debates were so profound, the stakes to be settled so serious, the ground covered so broad, that the only person he could possibly be berating for such shortcomings was God Himself. Was Het Masteen, the ecologist traveling in a giant treeship, kill to prevent this or was he the spy the pilgrims were warned about?

The answer is left for the next volume hide spoiler ] Brawne Lamia is a private investigator hired by a person who claims to have been murdered before coming to her dingy office. How is that even possible? Apparently it is so, if the person is a 'cybrid' , a human clone with its brain controlled by the TechnoCore, the rogue artificial intelligences that have emancipated themselves.

The fact that the genetic material for cloning comes from the same John Keats poet adds more food for thought in the growing puzzle. With the additional question of whether the AI still needs humans in order to pursue its own secret goals. The Consul is the last to take the stand, but instead of telling his own story he mesmerizes his audience with a love story to defy time and space between an astronaut spending most of his time at FTL speeds and the woman who ages rapidly as she waits for him on a planet not yet connected to the web and the Hegemony.

It is also a cautionary tale about a dominant culture that destroys both the environment and the diversity of different worldviews. The planet Maui Covenant is modeled both on the geography and the fate of the original tribes of Hawaii, a lost Garden of Eden. As the pilgrims switch means of transport from a treeship to a riverboat pulled by giant manta rays, on a landship pushed by winds over an ocean of grass, then high over frozen peaks on cable cars and finally to a derelict castle in front of the Time Tombs, we are left to ponder what have learned so far?

That humanity has destroyed its homeworld, and now it embarks on a war that can engulf the whole known colonized space. And that a God-like mysterious figure that may have been sent back from the future waits in judgement. Which of the pilgrims will receive the Shrike's answer? But who is the wizard? And what is Oz? And just who is off to see this wizard? So many questions left me with no other option than to start immediately on book two I have the omnibus edition.

We are in the 29th century and mankind, after spreading to hundreds of different planets, is at war. Hyperion is one such planet so traveling to and from this particular planet means some time dilation important later. The planet is special for its structures, the Time Tombs, which are moving backwards in time, as well as their guardian, a being called the Shrike.

What we mostly get in this book, therefore, are the background stories of the seven pilgrims six stories because one pilgrim is a baby view spoiler [or, depending on how you look at it, because one disappears at one point hide spoiler ]. But the form was making this very interesting indeed. Yeah it was view spoiler [a romance but also hide spoiler ] illuminating.

AIs, a noir crime element of sorts, a heist and one hell of an implication for the resolution to come. The sixth and final tale was that of the consul, the politician. He seemed like a complex character from the start and this story of ancestry and revenge proved why. All tales, all reasons, ultimately have something to do with a previous visit to the planet or a previous encounter with the Shrike. In between the individual tales, the pilgrims progress down onto the planet and move about there, always learning new things.

But they also served to intensify the strained atmosphere as the danger around the pilgrims spikes for various reasons. The worldbuilding was sublime, already starting strong with the introduction of the tree ships! Yep, living and breathing organisms complete with branches and stuff that are used to transport people around in space.

They are Tesla trees which also exist on planets that are being propelled with the help of alien beings and piloted by Templars nature priests. That was really cool! Fast-paced writing, individual tales within the tale that practically sweep you along and show you different corners of this universe, multi-faceted characters and mysteries to be discovered … is it surprising that I loved this? View all 27 comments. Quite the achievement.

Like its fascination with poetry might suggest, this novel is a piece of art. There are many themes addressed here, and a re-reading at some stage is likely in order. On one level it's a novel about faith : the loss of faith, and, perhaps, the regaining of faith.

On another, it's a novel about retribution. Alternatively, it is nothing of the sort, and just a darn good Space Opera. As other reviewers have noted, there is a notable element of horror throughout. It is a dark work, and disturbing. It evokes emotional responses and raises questions. I guess that is the whole point. Speaking of journeys: this book is actually one big journey.

Seven pilgrims set off to see the legendary Shrike on the planet Hyperion. On their pilgrimage they share their accounts of what brought them there. As would be expected, some of the 'stories' are better than others. There are times when the novel does read a bit like a short story collection, but there are common themes and threads tying everything together. Hyperion won a number of awards, including the Hugo award for best novel. It seems it wasn't even nominated for a Nebula, although its sequel The Fall of Hyperion was.

Recommended Added to Favourites View all 13 comments. Mar 26, Bradley rated it it was amazing Shelves: sci-fi , shelf , top-ten-w-cheats , top-one-hundred , fanboy-goes-squee. This is one of my favorite SF novels. Easily in the top ten. It has just about everything I could want in an SF while also elevating the entire SF conversation at the same time. And a virtuoso performance is another term I'd use, as if the character of Martin Selinius had popped out of the pages and wrote this very book, wowing the AIs connaisseurs and elevating the very first Literary SF form to do universal justice to the term.

Back when I first read this book, the same year it came out, I was This is one of my favorite SF novels. Of course, I was coming off my high of David Brin's Earth and I thought I had seen it all, a worldbuilding extravaganza that tore apart the planet in a really big, really flashy way.

But then Simmons had to come around and pull a The Canterbury Tales written as a fantastic pitch-perfect genre mini-stories within the equally mysterious and fantastic over-story. Imagine, for a moment, that we have the mystery of the Catholic priest on the strange and horrific world of Hyperion, reading like A Case of Conscience but having one of the most horrific and soul-scarring scenes in any HORROR novel, let alone an SF novel.

Then imagine that the tone completely changes, as well as genre and the type of storytelling, to one of the best Hard-SF military fiction sequences in the next storytelling sequence. And then to the next genre that is quietly horrific even as it is quietly scholarly To a wonderfully cyberpunk detective noir fiction on par with Gibson, with an AI love story, intrigue To a tale of love, revenge, interplanetary colonialism, and time-dilation.

Where each tale provides us with a piece of a much larger puzzle that is Hyperion, even if most of the action takes place off the world, itself. Of course, my simply describing the stories-within-stories can't do it justice. For those thematically oriented, you could say that the whole thing is a huge question: searching for a godhead or meaning and reason for the pain.

Each one of these characters has been driven to sacrifice everything for an answer. A real answer. Unfortunately, all they can reasonably expect is to get impaled on the Shrike's spikes. You could say this is a metaphor, but the way the worldbuilding has set it up, it all makes absolutely excellent sense in the narrative. Shockingly so. It's the main power of mystery, after all. Of course, I'd be remiss if I didn't mention one little important detail: this is not a complete novel without The Fall of Hyperion.

View all 5 comments. Readers also enjoyed. Science Fiction. Science Fiction Fantasy. About Dan Simmons. Dan Simmons. Dan received a B. Louis in He then worked in elementary education for 18 years—2 years in Missouri, 2 years in Buffalo, New York—one year as a specially trained BOCES "resource teacher" and another as a sixth-grade teacher—and 14 years in Colorado.

During his years of teaching, he won awards from the Colorado Education Association and was a finalist for the Colorado Teacher of the Year. He also worked as a national language-arts consultant, sharing his own "Writing Well" curriculum which he had created for his own classroom. Eleven and twelve-year-old students in Simmons' regular 6th-grade class averaged junior-year in high school writing ability according to annual standardized and holistic writing assessments.

Whenever someone says "writing can't be taught," Dan begs to differ and has the track record to prove it. Since becoming a full-time writer, Dan likes to visit college writing classes, has taught in New Hampshire's Odyssey writing program for adults, and is considering hosting his own Windwalker Writers' Workshop. Dan's first published story appeared on Feb. He's always attributed that coincidence to "helping in keeping things in perspective when it comes to the relative importance of writing and life.

He does much of his writing at Windwalker—their mountain property and cabin at 8, feet of altitude at the base of the Continental Divide, just south of Rocky Mountain National Park. An 8-ft. Other books in the series. Hyperion Cantos 4 books. Books by Dan Simmons. Articles featuring this book.

Audiobooks are an incredible way to experience stories—a great narrator can use their voice bring the narrative to life in a way that the Read more Trivia About Hyperion Hyperio Quotes from Hyperion. Then came the fucking word processor. Then came the thought processor. Then came the death of literature. And the secrets they contain mean that nothing—nothing anywhere in the universe—will ever be the same.

A stunning tour de force filled with transcendent awe and wonder, Hyperion is a masterwork of science fiction that resonates with excitement and invention, the first volume in a remarkable epic by the multiple-award-winning author of The Hollow Man. On the world called Hyperion, beyond the reach of galactic law, waits a creature called the Shrike. There are those who worship it.

There are those who fear it. And there are those who have vowed to destroy it. In the Valley of the Time Tombs, where huge, brooding structures move backward through time, the Shrike waits for them all. On the eve of Armageddon, with the entire galaxy at war, seven pilgrims set forth on a final voyage to Hyperion seeking the answers to the unsolved riddles of their lives.

Each carries a desperate hope—and a terrible secret. And one may hold the fate of humanity in his hands. In sheer scope and complexity it matches, and perhaps even surpasses, those of Isaac Asimov and James Blish. Share: Share on Facebook. Hyperion Cantos Series: Related Titles. Other Series By Dan Simmons. About Dan Simmons. More about Dan Simmons. Other Series You Might Like. Find other titles in Space Opera. Today's Top Books Want to know what people are actually reading right now?

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Hyperion Cantos: What Happened to Earth?

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Hyperion Cantos: The Shrike Explained

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